As I am wont to do at this time of year, I have been on a complete movie binge. I have sucked in more flickage in the last week than I care to admit. I've been watching one every night, and went out to see one yesterday. I have two more to see before the Oscars, so that I can be a real hypocrite and sit there and pretend I'm offended and uninterested in the wearings and ramblings of a bunch of self-congratulatory Hollywood pinheads.
So here they are. Less movie review and more "Kristine's visceral reactions to movies".
The Station Agent: Excellent, I thought, and very original. It's not often you see a dwarf in a serious role, and I think Peter Dinklage was very deserving of that Oscar nom last year.
Ray: Yeah, Jamie Foxx will win for best actor, unless somehow Clint Eastwood steals it away. Personally, I'm all about Clint, but I think Jamie did a very fine job as Ray Charles. I just don't think the movie itself was at all deserving of the Oscar nomination. Even with the realization that this was a true story, I think it could have been done with much more originality. As it was, it was little better than an episode of "Behind the Music, " and equally predictable. I'm awfully bored with the standard musician "my childhood was hard, I'm talented, I'm good, I'm on drugs, I'm famous, I'm SO bad, I'm on a journey of redemption, I can see clearly now, the rain is gone" charater arc. Or, as Doctor Denis Leary put it so well, when referring to the Doors Movie:
I'm drunk. I'm nobody.
I'm drunk. I'm famous.
I'm drunk. I'm fuckin' dead.
Sideways: Yeah, baby, it was all about wine, and people far wine-snobbier than myself. It was also vulgar, and extremely funny, at times. In the end, I really liked it, but it left me with a grey day depression. Whenever I watch a movie about people with totally unremarkable lives, I leave the theatre, take a good look at the bleak winter surroundings, and think, "Shit. My life is just as unremarkable. My environment is just as unremarkable.
I'm unremarkable. But now Paul Giamatti is going to go to the Oscars for playing, well, me." If unremarkable makes an Oscar-winning screenplay, make way for the Willownator! I'd like to thank the academy
**sniff sniff** and all the people who said a white girl from Pittsburgh would never make it.
Friday Night Lights: Football, Texas, and overzealous rednecks. What's not to love? I have to give this movie credit for not being totally tiresome, and for avoiding the Hollywood ending. I said to my spousal unit, as we started watching, "Place your bets now. Will he catch the slow-motion pass at the end?" But for once, I was sorta wrong. It ended rather unremarkably, and therefore, see above. Good acting from the football kiddies, and a good performance from Billy Ray Cyrus, or wait, Billy Bob Thornton. Whatever. It was good stuff, if you likey a football movie. Personally, I liked it better than
Any Given Sunday, which was too raw for my tastes.
Well, I still need to see
The Aviator, if I can look at Leonardo DiCraprio for that long without becoming ill, and
Million Dollar Baby, which I actually expect to like. On Oscar night, I'll be sitting there, properly prepared, tiara-ed, and popcorn-ed, but I will turn off the TV instantly if I hear one of those delusional freaks use the phrase, "I think we made an
important movie." Screw you.